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The true story of Irish outlaw Daniel Morgan, who is wanted, dead or alive, in Australia during the 1850s.
Australia in the 1850s. Daniel Morgan, like hundreds of other ex-patriots from the British Isles (he is from Ireland), has come Downunder to seek his fortune. There is a gold rush going on, and Morgan wants to strike it rich. As fate would have it, Morgan soon finds himself on the other side of the law, broke and desperate. A single act of highway robbery gets him 12 years of hard labor. While in prison, he is systematically abused. Upon release, Morgan vows revenge on those who wronged him. With the help of an aborigine named Billy, and a growing legend of audacity, Morgan soon becomes a hero. The locals love him, while the wealthy and powerful fear his influence. They want this outlaw dead or alive, and will stop at nothing to see that their sense of justice is done. But Morgan only wants those to pay for the crimes they have committed, to recognize that he wasn't always a bushranger - he was made into one. It wasn't only his mind that made him bad. It was society that turned him into Mad Dog Morgan.
I have no idea what the budget was for this film, but it has low budget written all over it from frame one. The establishing shot is about as good as any of the cinematography gets for the remainder of the film.<br/><br/>As the hero approaches the stage coach and wanders aimlessly away into the gaining foreground, it sets the pattern and the standard for the rambling, disjointed grab bag of scenes to follow.<br/><br/>As usual in Australian historic films, the old cultural cringe sets in early. Any English characters, especially characters in authority, are either moronic animals, or outrageously portrayed elitists and silly arsed over enunciating buffoons.<br/><br/>The real men of heroic heart and courage are either Irish or &quot;Australian&quot; bush men. This is the kind of thinking that allows us to make Ned Kelly, a man who clearly had a problem with authority and the rule of law, who killed policemen, and who almost derailed a train, which almost certainly would have made him the country&#39;s first mass murderer, a celebrated folk hero.<br/><br/>This film is a string of seemingly hurriedly invented action, gratuitous violence, bluster and bullshit. That it is what I suggest it is, is a shame. The basis of a good story and the makings of a classic film are clearly within it, but they are lost in clouded plot ideas and confused direction, further hindered by surface acting and cultural cringe.
This is one of the worst movies I have ever seen. There is not a shred of historical accuracy, in fact reality is reversed. Just one example: Morgan preyed on the few ethnic Chinese he encountered. The acting is over the top, the script is a poorly written lie. I have never seen worse fake beards.<br/><br/>Hopper arrived in Australia and reportedly only would make the film if the script was totally rewritten so he could be a hero. Since the script was ten made up on the fly, the may explain how bad it is and how disjointed the movie is.<br/><br/>Any movie about Ned Kelly is a lot better than this film.


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